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Shortlisted for the RSL Encore Award 2018 Five runaways ride the bus from Bayelsa to a better life in a megacity. They are unlikely allies -- a private, a housewife, an officer, a militant and a young girl. They share a need for escape and a dream for the future. Soon, they will also share a burden none of them expected, but for now, the five sit quietly with their hopes, as the billboards fly past and shout: Welcome to Lagos.
Winner of a Betty Trask Award Shortlisted for the Dylan Thomas Prize and the Commonwealth Book Prize Longlisted for the Desmond Elliot Prize The Spider King's Daughter is a modern-day Romeo and Juliet set against the backdrop of a changing Lagos, a city torn between tradition and modernity, corruption and truth, love and family loyalty. Seventeen-year-old Abike Johnson is the favourite child of her wealthy father. She lives in a She lives in a sprawling mansion in Lagos, protected by armed guards and ferried everywhere in a huge black jeep. But being her father's favourite comes with uncomfortable duties, and she is often lonely behind the high walls of her house. A world away from Abike's mansion, in the city's slums, lives a seventeen-year-old hawker struggling to make sense of the world. His family lost everything after his father's death and now he runs after cars on the roadside selling ice cream to support his mother and sister. When Abike buys ice cream from the hawker one day, they strike up an unlikely and tentative romance, defying the prejudices of Nigerian society. But as they grow closer, revelations from the past threaten their relationship and both Abike and the hawker must decide where their loyalties lie.
Noo Saro-Wiwa was brought up in England, but every summer she was dragged back to visit her father in Nigeria — a country she viewed as an annoying parallel universe where she had to relinquish all her creature comforts and sense of individuality. After her father, activist Ken Saro-Wiwa, was killed there, she didnt return for several years. Recently, she decided to come to terms with the country her father given his life for. Saro-Wiwa travels from the exuberant chaos of Lagos to the calm beauty of the eastern mountains; from the eccentricity of a Nigerian dog show to the decrepit kitsch of the Transwonderland Amusement Park. She explores Nigerian Christianity, delves into the countrys history of slavery, examines the corrupting effect of oil, and ponders the huge success of Nollywood. She finds the country as exasperating as ever, and frequently despairs at the corruption and inefficiency she encounters. But she also discovers that it si far more beautiful and varied than she had ever imagined, with its captivating thick tropical rainforest and ancient palaces and monuments. Most engagingly of all, she introduces us to the many people she meets, and gives us hilarious insights into the African character, its passion, wit and ingenuity.
A funny, gripping and surprising story of a mixed-race British woman who goes in search of the African father she never knew, by award-winning author Chibundu Onuzo. Anna grew up in England with her white mother and knowing very little about her African father. In middle age, after separating from her husband and with her daughter all grown up, she finds herself alone and wondering who she really is. Her mother's death leads her to find her father's student diaries, chronicling his involvement in radical politics in 1970s London. She discovers that he eventually became the president - some would say the dictator - of Bamana in West Africa. And he is still alive. She decides to track him down and so begins a funny, painful, fascinating journey, and an exploration of race, identity and what we pass on to our children.
"Visiting Lagos after many years away, Teju Cole's unnamed narrator rediscovers his hometown as both a foreigner and a local. A young writer uncertain of what he wants to say, the man moves through tableaus of life in one of the most dynamic cities in the world: he hears the muezzin's call to prayer in the early morning light, and listens to John Coltrane during the late afternoon heat. He witnesses teenagers diligently perpetrating e-mail frauds from internet cafes, longs after a woman reading Michael Ondaatje on a public bus, and visits the impoverished National Museum. Along the way, he reconnects with old school friends and his family, who force him to ask himself profound questions of personal and national history. Over long, wandering days, the narrator compares present-day Lagos to the Lagos of his memory, and in doing so reveals changes that have taken place in himself. Just as Open City uses New York to reveal layers of the narrator's soul, in Every Day is for the Thief the complex, beautiful, generous, and corrupt city of Lagos exposes truths about our protagonist, and ourselves"--