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AN INSTANT NEW YORK TIMES BESTSELLER "A brilliant, unflinching look at the descent of the GOP - backed up with data, historic sweep & first person insights. This one is a must read." --John Avlon "I devoured an early copy in one sitting the day it arrived - highly recommend It Was All a Lie if you want to try to understand how the GOP got to this very dark place." --Elise Jordan "It's great! Highly recommend." --Max Boot From the most successful Republican political operative of his generation, a searing, unflinching, and deeply personal exposé of how his party became what it is today Stuart Stevens spent decades electing Republicans at every level, from presidents to senators to local officials. He knows the GOP as intimately as anyone in America, and in this new book he offers a devastating portrait of a party that has lost its moral and political compass. This is not a book about how Donald J. Trump hijacked the Republican Party and changed it into something else. Stevens shows how Trump is in fact the natural outcome of five decades of hypocrisy and self-delusion, dating all the way back to the civil rights legislation of the early 1960s. Stevens shows how racism has always lurked in the modern GOP's DNA, from Goldwater's opposition to desegregation to Ronald Reagan's welfare queens and states' rights rhetoric. He gives an insider's account of the rank hypocrisy of the party's claims to embody "family values," and shows how the party's vaunted commitment to fiscal responsibility has been a charade since the 1980s. When a party stands for nothing, he argues, it is only natural that it will be taken over by the loudest and angriest voices in the room. It Was All a Lie is not just an indictment of the Republican Party, but a candid and often lacerating mea culpa. Stevens is not asking for pity or forgiveness; he is simply telling us what he has seen firsthand. He helped to create the modern party that kneels before a morally bankrupt con man and now he wants nothing more than to see what it has become burned to the ground.
Three lives, one unreliable narrator and the consequences of losing intimacy. This is All a Lie opens with Ray leaving his mistress for the final time. At the bottom of her apartment tower, he answers his phone. It's Nancy, his lover, and she is threatening to jump if he drives away. She wants emotional truth in an arena where everything is a lie. She wants a reason to stay alive and Ray is uniquely unqualified to give her what she wants. Ray's wife, Tulah, loves snow and keeps a snow journal - every time it snows she goes out in it and records what she thinks and feels about the snow in the context of her life. Tulah is filled with secrets, and denial, and unhappiness and when she is drawn into Ray's messy affair, everything she thought she knew is thrown aside. What are the consequences of losing intimacy? Does Nancy jump from her 39th floor balcony? What happens with Tulah and Ray? The answers lie within, perhaps.
A New Face of Fiction for 2015, All True Not a Lie in It is pioneer Daniel Boone's life, told in his voice--a tall tale like no other, startling, funny, poignant, romantic and brawling, set during the American Revolutionary War and hinging on Boone's capture by the Shawnee. Here is Daniel Boone as you've never seen him. Debut novelist Alix Hawley presents Boone's life, from his childhood in a Quaker colony, through 2 stints captured by Indians as he attempted to settle Kentucky, the death of 1 son at the hands of the same Indians, and the rescue of 1 daughter. The prose rivals Hilary Mantel's and Peter Carey's, conveying that sense of being inside the head of a storied historical figure about which much nonsense is spoken while also feeling completely contemporary. Boone was a fabulous hunter and explorer, and a "white Indian," perhaps happiest when he found a place as the captive, adopted son of a chief who was trying to prevent the white settlement of Kentucky. Hawley takes us intimately into the life-and-death survival of people pushing away from security and into Indian lands, despite sense and treaties, just before and into the War of Independence. The love story between Boone and his wife, Rebecca, is rich and tangled, but mostly it's Boone who fascinates, pushing into places where he imagines he can create a new "clean" world, only to find death and trouble and complication. He is a fabulous character, unrivalled in North American literature, and a prime candidate for the tall tale. The storytelling is taut and expert, the descriptions rich and powerful, the prose full of feeling, but Boone is what drives this outstanding debut.
Deceit, lying, and falsehoods lie at the very heart of our cultural heritage. Even the founding myth of the Judeo-Christian tradition, the story of Adam and Eve, revolves around a lie. We have been talking, writing and singing about deception ever since Eve told God, "The serpent deceived me, and I ate." Our seemingly insatiable appetite for stories of deception spans the extremes of culture from King Lear to Little Red Riding Hood, retaining a grip on our imaginations despite endless repetition. These tales of deception are so enthralling because they speak to something fundamental in the human condition. The ever-present possibility of deceit is a crucial dimension of all human relationships, even the most central: our relationships with our very own selves. Now, for the first time, philosopher and evolutionary psychologist David Livingstone Smith elucidates the essential role that deception and self-deception have played in human--and animal--evolution and shows that the very structure of our minds has been shaped from our earliest beginnings by the need to deceive. Smith shows us that by examining the stories we tell, the falsehoods we weave, and the unconscious signals we send out, we can learn much about ourselves and how our minds work. Readers of Richard Dawkins and Steven Pinker will find much to intrigue them in this fascinating book, which declares that our extraordinary ability to deceive others--and even our own selves--"lies" at the heart of our humanity.
From the USA TODAY bestselling author of The Night Olivia Fell—an “emotionally charged mystery” (Mary Kubica, New York Times bestselling author)—comes a thrilling new suspense novel about the insidious nature of family secrets…and their deadly potential. If you can’t remember it, how do you prove you didn’t do it? Eva Hansen wakes in the hospital after being struck by lightning and discovers her mother, Kat, has been murdered. Eva was found unconscious down the street. She can’t remember what happened but the police are highly suspicious of her. Determined to clear her name, Eva heads from Seattle to London—Kat’s former home—for answers. But as she unravels her mother’s carefully held secrets, Eva soon realizes that someone doesn’t want her to know the truth. And with violent memories beginning to emerge, Eva doesn’t know who to trust. Least of all herself. Told in alternating perspectives from Eva’s search for answers and Kat’s mysterious past, Christina McDonald has crafted another “complex, emotionally intense” (Publishers Weekly) domestic thriller. Perfect for fans of Lisa Jewell’s I Found You and Karin Slaughter’s Pieces of Her, Behind Every Lie explores the complicated nature of mother-daughter relationships, family trauma, and the danger behind long-held secrets.
My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?
New York Times bestselling author of THE GOOD GIRL Mary Kubica is back with another exhilarating thriller as a widow’s pursuit of the truth leads her to the darkest corners of the psyche. Clara Solberg’s world shatters when her husband and their four-year-old daughter are in a car crash, killing Nick while Maisie is remarkably unharmed. The crash is ruled an accident…until the coming days, when Maisie starts having night terrors that make Clara question what really happened on that fateful afternoon. Tormented by grief and her obsession that Nick’s death was far more than just an accident, Clara is plunged into a desperate hunt for the truth. Who would have wanted Nick dead? And, more important, why? Clara will stop at nothing to find out—and the truth is only the beginning of this twisted tale of secrets and deceit. Told in the alternating perspectives of Clara’s investigation and Nick’s last months leading up to the crash, master of suspense Mary Kubica weaves her most chilling thriller to date—one that explores the dark recesses of a mind plagued by grief and shows that some secrets might be better left buried.
Originally published to wide acclaim, this lively, cleverly illustrated essay on the use and abuse of maps teaches us how to evaluate maps critically and promotes a healthy skepticism about these easy-to-manipulate models of reality. Monmonier shows that, despite their immense value, maps lie. In fact, they must. The second edition is updated with the addition of two new chapters, 10 color plates, and a new foreword by renowned geographer H. J. de Blij. One new chapter examines the role of national interest and cultural values in national mapping organizations, including the United States Geological Survey, while the other explores the new breed of multimedia, computer-based maps. To show how maps distort, Monmonier introduces basic principles of mapmaking, gives entertaining examples of the misuse of maps in situations from zoning disputes to census reports, and covers all the typical kinds of distortions from deliberate oversimplifications to the misleading use of color. "Professor Monmonier himself knows how to gain our attention; it is not in fact the lies in maps but their truth, if always approximate and incomplete, that he wants us to admire and use, even to draw for ourselves on the facile screen. His is an artful and funny book, which like any good map, packs plenty in little space."—Scientific American "A useful guide to a subject most people probably take too much for granted. It shows how map makers translate abstract data into eye-catching cartograms, as they are called. It combats cartographic illiteracy. It fights cartophobia. It may even teach you to find your way. For that alone, it seems worthwhile."—Christopher Lehmann-Haupt, The New York Times ". . . witty examination of how and why maps lie. [The book] conveys an important message about how statistics of any kind can be manipulated. But it also communicates much of the challenge, aesthetic appeal, and sheer fun of maps. Even those who hated geography in grammar school might well find a new enthusiasm for the subject after reading Monmonier's lively and surprising book."—Wilson Library Bulletin "A reading of this book will leave you much better defended against cheap atlases, shoddy journalism, unscrupulous advertisers, predatory special-interest groups, and others who may use or abuse maps at your expense."—John Van Pelt, Christian Science Monitor "Monmonier meets his goal admirably. . . . [His] book should be put on every map user's 'must read' list. It is informative and readable . . . a big step forward in helping us to understand how maps can mislead their readers."—Jeffrey S. Murray, Canadian Geographic